Sample Magic Ableton Chord Rack Ableton扩展包

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94 MB


Expertly sampled from a host of classic synths – think Roland Juno 60, Jupiter-6 and Yamaha DX-7 – the latest instalment of our Ableton Racks series serves up 127 authentic hardware-sourced chord stabs inside a custom rack instrument complete with comprehensive macro controls for powerful melodic creativity.

Built from scratch to include two tiers of 8 macro controls, Ableton Chord Rack delivers our most creative and flexible sound processing options to date. From intuitive and inspiring top-level FX chains combining reverb, distortion, delay, chorus and filters, through to lower-level macros controlling the source sound parameters (ADSR, volume, filtering, transposition), Ableton Chord Rack comes loaded with a huge palette of classic synth sounds and processing power primed for house, techno and retro-inspired electronica.

What’s Inside

TOP-LEVEL MACROS

Selector – Changes the selected chord out of 127 available presets.

Reverb – Turns on reverberation, turn to the right to increase perceived amount.

Crush – Enables a redux FX, increasing the value decreases the sample rate.

Delay – A retro sounding ping-pong delay, turn the macro all the way to the right for a 100% wet sound.

Flanger – Flange the chord sound from the left to right channel.

Wah – A custom wah wah filter.

Chorus – Turns on an analogue modelled chorus effect.

LPF – Tweak this macro to allow more or less bass in the affected chord sound.

LOWER-LEVEL MACROS

Ve Attack – The attack envelope of the particular chord sample, turn to the right to allow for a smoother volume envelope

Ve Decay – The decay envelope of the particular chord sample, reduce for a sharper sounding chord stab

Ve Sustain
 – The sustain envelope of the particular chord sample, use in conjunction with release to tweak the tail of the sound.

Ve Release – The release envelope of the particular chord sample, control the envelope shape of the decaying volume with this macro.

S Start – Turn to change the sample start point of the chord.

Filter Freq – A HPF filter, turn all the way to the left for an obviously filtered sound.

Transpose – Transpose the sound upwards or downwards stepwise in semi-tones.

Volume – Change the amplitude of the chord sound.

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